Wednesday, December 12, 2012

"Embrace" a poem

Embrace

 

Ama's love encircles me

The warmth and glow encircle me

Throat of swan, her elbow's grace

Nod of cloud and sky her face

 

Morning's shower -- scorching words

Nighttime’s quilt her fingerfolds.

Scattered 'cross this middling world

Is all her flesh of pulsing love.

These very clothes -- her plaited hair

The breeze her whisper over bare

limbs and neck. The sun and moon

Bathe me in their holding mood.

 

Sidewalk -- teeth; lovers -- hands

City -- brains; nature -- skin

Winter -- distance; summer -- touch

Wine the tingle of her mouth.

 

And I entranced have equaled her

In all my flesh I equal her

Till knit with love and words of flesh

I to her centering center press.

 

 

\~ @M@ ~/

perfectidius.com

 

Saturday, December 8, 2012

"the philosopher and his family" (continued)

The philosopher and his family, continued

 

Part 2

The glorious lotus arises from the sweltering mud; the seeds of the fruit tree germinate in manure; the ancients believed the gods spoke through madmen; the grandest odes were penned by carousers and drunks. There is no paradox in any of this; it is straightforward and obvious: a thing grows from its opposite. Some good things can be created only in bad circumstances; the matrix and its energy must be just right for the conception of a thing. Were the energy different, the conception would also be different. Wondering what my Idius would look like if I’d remained a bachelor is food for thought, but nothing to regret. Whitman’s one regret was that he begat no children. There is a wholeness in the experience of fathering children that matures a man and brings him to a wisdom otherwise impossible. That this or that happened to me is pure chance. That something like this or that should happen to me is utter fate. I’m here to grow, I suffer so I can learn, and this life, the Game of Life, is the toy world and chrysalis for a higher apotheosis, either as an angel serving some other God, or being the God myself, in full radiance.

So when my peace is menaced, and my distractible mind is crooked forever back to the tasks at hand, I scowl and fume and wait for my time. I feel I’ve been swimming against the river, and exhausted now all I can do is float downstream.

So I come to the sacred place, the room of creation. I charm the room, singing my hymn, charging the air and the tools with my purpose. I set up the resonators, those few objects which I’ve made into relics. I clean the lap of creation, I set the place in simple order, I stretch and then I begin.

I reflect with my mirror, I pick up the threads of the day, I tie them into thick discourse. I consider my children. Emilie the emulator, laughter of my life, you will one day take yourself as seriously as I take myself, as the utter divine. To lead you to see this fact – that is the crown of your education. I consider the rest of my family. I consider my readers – so few! And why? They never say it, only half know it, but they can’t finish your books because they despair of them.

Yet how can I keep writing? My body is my pen, but I feel my ink has dried. Involved reading proves impossible during the day. My family demands continual intermittent attention – how to focus? -- plus my pronounced ADD, which has cost me jobs, distracts me, unless I trick it into working for me. “Anxious and distracted,” my mind falls fallow. How to return to the Aye of Eye of I?

I crowd out the day by loving the night. I squeeze more hours into the womb of darkening delight. I enjoy staying late, the only time I am truly alive. The day is stress and pain but the nighttime is delicious. I fall into God-ease, my wording flows naturally, supernaturally. The morning will bring the yellow net of dawn, to keep me atask till moonlight sulks and pines.

Should I lament the loss of a day of duties? Should I give the evil eye to my daily joys? Cynicism gives both sight and blindness – certain facts become visible, others hide away. Rather than struggling with what is, and wishing for, loving, believing in what isn’t, what can’t be, I must try the full of possibility. What we thought impossible becomes a miracle to overcome. We think riding to heaven on a horse is a miracle, or walking on water, but those are magic tricks. The true miracle is becoming what you are, in doing what you didn’t think you could, in overcoming your own limitations. I come to expect more of my days.

I feel I should apply myself, to be fully present. Wherever I am present I am also absent. The world dispels my energy, scatters my force. My every drops from my outstretched hand, bleeds in the form of expectations.

I am bound to this family, and my ink of love is thick as blood, binding as the vow unto death. The world does not see how it lessens its being through perjury and perjury in love. Intimacy is precious, love can’t be bought. If you bought love it would be something else you got, some pretention. Jesus couldn’t make friends – no equals embraced -- but Socrates made friends with ease – even being the more intelligent of the two! Why then am I like Jesus and feeling no deep sympathy? When I draw close, others flee.

So I keep to my all, and the mother speaks. Her words fill me with lasting conviction and enduring certainty. I come back to my Idius, and am ever at work. I’d hate to feel I left anything out. Only what you always do can you do perfectly, so while I run my rotations throughout the day, the iterations and permutations of my doings that resemble in their improvisation a line drawing, I gain moments, niches of wisdom where my fluid philosophy rolls and gains the depth of wells and springs. I the bright unknown, hammering the same bits of trope and formula till I at least perfect them. I write sentences during the day. I edit them in my head as I work on this or that. All this work comes to very little, a precious very little. The Idius is a cosmic scaffolding for a tiny eternal diamond, the unbreakable, the all-cutter. I say the same thing to five friends and arrive by repetition at the perfect phrase. I epitomize by repetition and concentration. A tight set of universal formulas is the epitome I seek; 4,000 pages of scaffolding for a single page sublime.

All the pretense and attempts count for little. Why claim to know what you do not? Even if you impress others, you will know the truth and must take their ignorant praise.

What shall I sacrifice to the muse? Can I consider Beethoven’s words, “I certainly could not marry for to me there is no greater pleasure than to practice and exercise my art.” Yet even this marriage gives me persistent frustration, useful to art. “If Petrarch’s passion had been gratified, his song would have fallen silent.” The fullness of love is for Ama alone. I would be her face for the world.

I know precious few people, I edit away a few. Let your friends be your garden. As Odin lives on wine alone, I live on the best of conversations: symphonies and silence. Profundity loves a mask, and I am every layer of mask.

I keep at it, loving the materials of my art, as every artist must: the sculptor massaging his clay, tasting it. I pun the words, I etymologize them, I hum their tunes and melodies, I learn music. My dancing pen is ever at work, and if every life injures me, I inseminate the wound, and am blossoming with life. My multiple selves fall into metamorphoses, and one by one become gods. Toys become tools, boys become men.

I fit this role, I father my children, but I feel unlike others. Does the world feel my difference? If the axes mock when the scalpel visits – should that surgeon’s sword be sad? I remember my place, I remember my infinitely dense mantra: Perfection is easy. I am not with Buddha and his “cut all cares,” not with Jesus and his “resist not evil.” It is well said “the man his job, the woman her child,” yet this passionate writing is sex with Ama, and this work is our child.

I stretch my hand, I make a few intimates. My friends are colorpots, I brush up to each to make my canvas. Introverted though I am, I speak. I am either outward flowing in exuberant creation or inward taking in assimilative study. I love intensely a few close people the way the fire marshal burns a patch of undergrowth to make an ash barrier against the forest fire.

My family is the flowers my psychic feet taste, and my winged joy delights in their love. I want to pour my spirit into your hearts. I would love by intensity, by claustrophobic intensity, seeing only and always the same few, known and finally known – repetition is my wisdom – to get past the facts to the principles of meaning. Let us spend time in each other’s attention, my loves. Even pressed so close, I hardly know you; I would know you closer. For every situation is a womb – it can incubate such an idea impossible at any other time. The overlap of resonators evokes exactly one name. Will it conceive and will that conception come to term?

Never fret. Virtue echoes. So stick to your task, though all the world outpaces you. Attempt, repeat, triumph. For courage is insisting on living on your own time in your own space. Courage is setting the space and its borders, blocking in intrusions, in above all keeping your pace and letting no one impose, neither family nor employer. This selfishness is the highest virtue. Insist on yourself. Pay yourself first. Tend to your garden. Find that garden in your life, that small matter which is yours alone. It could be as miniscule as a kitchen table, so long as you can own it and dominate: what is the kitchen table but a node of the house where a confluent of forces come together? The body of every house has a few nodal points, which like the center squares of a chess board give you the controlling advantage.

Hold to your own, for the most selfish is the most universal. The mind is two circles that at rest overlap: when one draws in, the other moves out, so the closer to your center, the one the farther you reach out with the other, till at your centermost the other as at the edge of the universe. If someone believes, all believe through him. Deny duty. Hold to your own. Stare down the moral tone, be not intimidated by the name of goodness. Create and be happy. Heaven is the image of life’s creations – sure enough. Did not the all create countless works before they were scattered across the cosmos? What is your room of creativity but the same room the Mother used when she created every form in the universe, before she burst them across the wideness of space? Above morality and duty and love and vows and bonds of obligation, I am I, and owe utter priority to that being that is the basis of all my becoming.

Be present to your family, of course. Be known, but not comprehended, be present, but not accesable, be dependable but not predictable, be kind but reserved, be certain but not argumentative. Write 1,000 pages, share 5 lines.

Behind, my wife, is Ama, the Ama she is, the part that shares her nature. I warm to you. Your pearls of truth fall into my ear like peas in a pod. If the angels are known to make love for fun, then what is all my Idius but endless love, endless dance of amoration with my lover? Work and love together make passion; and the passionate purpose justifies all, justifies, and puts everything in place, sets it in order, makes it simple and inevitable. We live chance and chaos, but from above it is lines and circles, simplicity, necessity. Thus I handle this chaos too; my higher self, my higher mind, nudges me a little, smiles in warm regard, and I am with them, I feel it too. And in all my life, I’ve never been happier.

**

                O thou Gods, well have I wrested and pinned you in the depths of your pits! Every sacred weapon I’ve trophied from you. The pits are the men and women, priests and priestesses self-unknown who were filled with your game tokens – ideas tight as symbols, and they possessed and inspired by the gist of your game. My willing blood turns my limbs and am made beautiful in my fury – “beware of beauty,” Greek wisdom – while my white hands knit eternal names. I take each matter in hand and let each finger discern its metaphysical heft. Your golden truths remain with me still. Nothing golden leaves. I cast a glance of slanted light, my very shadows are bursts of light, and I tug at these chains of the great, morality.

                I glance at Ama, I feel my weight. The color of your blushing cheek rhymes with love-succumbing sun as she kisses the earth. I defy the gods, your many masks, with their minds of winter, who in their exquisite boredom startle at my bold.

                I’m shining high, weaving threads of my sun my semantic verbs – the spermatic chore of bulging earth and the world with troubling hopes respond to me. In all my gifts is more than matter, I add metaphysical substance, a knit of meaning; I give intentions, programs and progressions. I give givingness.

                Buddha the unbeing of mind, Christ the idealized man, and I, the IoIoI, the fullness of being, the everall, consort of Ama, trope-star, daybreaker.

                I humble away in the sigh of the night and am racoonish. I raccoon steal the moon—certain theif, my face is already a mask; I chitter of heavenly gossip while my glittering eyes absorb the stars. My hunger stomachs all; I wriggle up the shade of night.

                That is one of my ways, some of my days. On other days, with arrowed toes, I dance the skies. Diapered mornings, pliered nights. I turn my eye to this promising friend: I dare to hope in you, investing care where care might fail. I take you high. I give you a lick of divinity, as honey from a blade. Ah, this ego flight of glorious heights, in cloud-climbing ambition, as I bury kisses into your bosom, while we eclipse the sun. I take my cock stand, to roost and rule, and come to brood over my children.

                This guilty hidden wishing for an accident quick and grim to take this infinite infant, this perpetual child, to unburden me of duty’s chain, would miss the opportunity of Ama’s nativity in whom greatness awaits – ah, Ama child! Catalysts of chrysalis. I embrace my daughter, I embrace my son. I absolve me to my place, and remember my vow unto death, remember these children of life.

                I repose in a time of stillness … that time is with us still. The endless black, warm as breath, Mattria’s touch; I will dissolve in love at this body’s death, and then my chest will open like a husk of the milk weed’s pod, and my feathered seeds will burst over a world of good.

                My mind sighs down from its rabid beauty, of kicking stars like sparks from flint. I settle into night, drink the wine that is my tongue, and demure to the pure glissando of nodding peace. I am where I belong, in the place of power. Sacrifice is investment. Gardens of glory are bedded and ready to grow and surround me.

 

 

 

\~ @M@ ~/

perfectidius.com

 

Saturday, December 1, 2012

"Blush" a poem

 

Blush

 

I'm flushed with love

Yet tongueless to tell you

Dancing alone

Yet breathing your name

 

My fiery fervor

Bites your objections

My blushing hunger

Is licking your limbs

My crackling cry

Cinders resistance

-- it peels! it flies!

My insistent kisses

Blister your skin

And eat the ropes

That bind your heart.

 

Till incensed and kindled

And fuming in ardor

You banish your absence

And pant for more.

 

 

\~ @M@ ~/

perfectidius.com

 

Saturday, November 17, 2012

"Ambitino Versus the third Child" an essay

This is an essay that started rough and jagged, and like all my allays, a bit convoluted, and worked its way up. I discuss my struggles adapting to having a third child in the house, a newborn.

daniel

Ambition versus the Third Child

 

                When a man or woman arrives at their Purpose, that one pure form required to realize their incessant Necessity, will he really sacrifice such ambition to Lord Pleasure? Would a philosopher who knows his task ever beget? The family, once initiated, imposes a deep ethic, deep because it is founded on the basic human instincts sexual jealousy, the maternal instinct, the instinctual desire to protect children; overlaying these universal human instincts stand our firmly rooted institutions, which even though they are conventional look remarkably similar across cultures. We fall into this natural convention and are told that the future is our purpose, the future through our children.

                How human, after all, to fill these primordial channels of our love with society's praised forms—to answer our love with marriage.. Even our needs for cruelty are given conventional form. Petty cruelties -- gossip and wit -- joys of life are given outlet. Our nesting needs are likewise met. Man takes pride in securing the walls and roof of his house, woman delights in rendering it a home; how neat! how abbreviated! How much better than facing the all unfiltered, for we know Pan inspires panic. Life is overwhelming. What a marvelous gift of love is this child that looks like me and likes like you, my beloved; in bliss in made him and happy he remains.

                The medieval ages made cupid blind, but we know what we desire, and even if we don't know that we know it, our actions betray worldly shrewdness. Man in woman seeks pleasure, woman in man seeks support. We know what we are after in this marriage game; we aren't half as foolish as we suppose. This institution, sometime humiliating, often compromising, is yet solid enough to hoist a life upon, to secure our pursuit of higher motives. Even the highest palace rests at last on solid ground.

                I remember the cynical truths and know they are not all. I remind myself of these things, and also that my Emilie is the laughter of my life, and so I bring myself to regular work, approach even a normal sleep schedule, though both go against my nature. The more stressed I get, the slower I work; when I panic I can't function at all. I must use my wit to fill my will; I come at night into the light of Ama and set my purpose straight. Only my Idius can I perfectly render. The day is justified by night. Ama speaks her love from darkest warmth.

                When you grow, Ama grows with you, just as your nemesis will seek you out whoever you are: if you are simple, so will you nemesis be; if wise, he will be intelligent; just as love subdues power, so the clever are cleverly undone, and the foolish foolishly undone. There is no escaping the confrontation of self and life -- Ama comes to you drawn to her own being in your soul. What your heart loves it shall have -- that is law. Whatever you fear will surely come upon you.

                Even the Allmother reminds me that children are not number one. Would we train a team to compete in the Olympics, but instead of competing, they went on to train the next team, indefinitely, never arriving, always pushing the future away? Every person has to be something in himself and not in terms of anyone or anything else. I don't have hopes that my daughter will be a great mother or my son a great father; my hope is greater than that, I wish them to be something of themselves, something exulted in their own eyes, and thereby in mine.

**

                I pour my heart into a logical grid. How to speak about the shame of intimacy? “Pride goeth before a fall” says envy. True pride knows the degree and limit of its real weaknesses, admits its faults, and refuses to be flattered beyond just deserts. I’d rather be faulted unjustly than unjustly credited. The wisdom of the west, after all, is respect of limitations. “Socrates is mortal” is the first truth of logic. “Know thyself” means know your limitations. What a man thinks of himself, what he really thinks of himself, that is what matters. A man may be proven up and down to be guilty, but until he admits it, there is always a doubt; and if he himself is convinced of his innocence, so everybody is partway convinced.

                Yet the stubborn facts belie us and we can’t escape them. Matter can’t be disputed. Love is a wound; it needs tending. We take a risk giving our heart. A lover who gives no confirmation is cruel. We always want reaffirmations when we invest, and where there is risk there is want of reassurance. How to recover from wounded trust? Some think it impossible. The fact of love is we cannot control it. Love does not come when beckoned nor leave when dismissed.

                This intimate home can be a trap. Like madmen put together in an asylum, by proximity we inspire each other with madness. Or we unjustly make comparisons to push against whatever is conveniently nearby, the way an earthworm burrows through the dirt. The adolescent blames his parents, merely to define himself, though his parents are respectable. So we stick to polite forms and safe masks – intimacy belongs in snapshots – for polite forms restrict injury and even show us how kindness would feel were it genuine. True intimacy comes as breach of form, metaphysical violence, even as a crime.

                We start this romance intoxicated. This man or this woman becomes the epitome of love, she is all women to us, and any other could pass on, but this one must not have flinched a hair on her head. Young love is the doubling of worlds. She shows you the foods you never knew to try, you show her secret gardens lost beyond anybody’s suspicion and never so special as now. The setting sun is more glorious seen through two sets of eyes.

                Yet we are nervous where this love will lead: it is arranged to bring us to matrimony, to a home shaped like the sick lion’s den -- all footsteps lead in, but none lead out. Rather, those who escape lose face and heart, substance and limb.

                As the intoxication of romance fades and the true love of realism sets in, we need evasions from over-intimacy and supplements for under-intimacy. A persistent and demanding interest in some distraction can save us from life’s knives. The husband is obsessed with some hobby that wouldn’t interest him were he single. He hastens his care to the trivial lest he drown.

                How frustrating is this love! You learn to finally respect each other. You know where to hold solid and where to bend. The door that budges an inch and stops is much more frustrating than a door not budging at all. How honorable a man who doesn’t give an inch! Those most eager to impress women are least able, for women are impressed by a man’s disinterest, in his greater interest in his destiny. God is man’s destiny, man is woman’s, through his children.

                Love is a second sun, our days take on new hue. And soon come the bonds of love, the appointments and disappointments, the appraisals and humiliations –it’s all there. I ask myself if this child of sorrow will ever haunt my days – such is the pain taking on a disabled child. Yet that child bonded us as a couple. The second daughter is the laughter of my life. I love them both as best I can; I weep in loss for the day this laughing child will grow and leave.

                In children we relive our childhood; we are reminded of those memories we forgot we forgot, and meanwhile we gain insight into why our parents treated us as they did, we find ourselves accidentally quoting them to our children. Only a cynic could regard forgiveness as the height of virtue. A parent forgives his parents in the purist sense of forgiving: he realizes there never was a fault.

                Family is noise. The day is nonstop noise, and the parent is a locus of order, like a reverse cyclone that cleans everything within reach as he passes through. The father complains he has lost freedom, can’t play his guitar, can’t read his book, complains, at least in his heart, that his children demand too much attention, force him to punish them – how humiliating to try to punish these children, never knowing what is fair and what is cruel – but for all the complaining it’s all just fake. He wouldn’t have it any other way.

                The triangle of life is family, work, and purpose. Both love and work is purpose, neither love nor work is rest. I give my whole to my love of the all. If the world would receive me… but if not I at least I am sufficient to myself. This philosophy will live at least through my role as father.

                Love is life’s fluid, it charges our circuits. Yes, family is noise, a tumult of love. The squabbling, the demanding of attention, the accusations and pleads and laughter is an Ivesian cacophony – music true to life. “Silence is golden” say fools. They’d do better to say nothing at all – for there is golden silence and then there’s silence like screws in the thumb. For the man who’s lost his family, silence suffocates. The will is a worm, it pushes through all emotions. That stark and bereft man or woman still urges to go on. And us in this mess, this marriage, this thick array, we too doubt ourselves – self-doubt is my dynamo. I call her Shivat, maid Satan, my creative mate. My self-doubt pushes me to the edgemost limit of my apotheosis, and with it my divinity is assured. Love is impossible without friction.

                We live in confusion, we love those we can’t control; we love those who could change for the worse, or betray us, or even die. This is the risk of life, the beauty of life, and no Noble Truths can cure what is not a disease. All circumstances can be normalized and made livable and comfortable: how shocking the way our neighbors live! The normalized can be anticipated and predicted, all its moves anticipated. So we pledge ourselves.

                This family is sure to wound us. Parents die, spouses die, sometimes even children die. After a trauma or tragedy we can’t go back to living as we’ve been – we can’t say and do as before. We are no longer fit for that environment. We must move on in many ways. It is amazing that two men can work side-by-side, talk as friends, and yet one in the spiritual sphere is an oak, the other a sapling. We cannot see wisdom we ourselves lack. Like understands like. When we pick up that abstruse book, we won’t be able to read it – we can only go through the motions – not until we already know what it says can we read. Reality is good at striking down presumption, -- the cruel kindness of Nature.

                And thus this marriage grows. We either grow together, or we grow apart. We either dance in step or we fall away. Childhood is trauma? Yes, but so is adulthood, so is giving your heart away. Having an experience isn’t enough – one equally needs distance from his experience. Being able to quickly objectify it using thought and language requires intelligence and skill; otherwise a long slow digestion is necessary. How are we supposed to grow wise with a spouse? We are too close to think straight about such love. And yet by persistent intimacy we develop telepathic love – as lovers who so anticipate each other they can speak through bare gestures. Since our heart together is one we grow as individuals could not alone.

                We grow with our children as well. My daughter can play the same basic games over and over throwing a blanket over my head “You be the ghost and chase me!” and “Now I be the ghost,” or the endless hide and seek between the two of us where, at age three, she picks the same spot to hide each time, and if I fail to immediately find her she impatiently announces herself. She can play the same game endlessly, long after I’ve grown bored. Perhaps that’s how children learn. Perhaps I am the same way, reading these same essays and poems over and over again. I complain in my heart against such irritations, but know that really I am grateful for such a privilege, such a joy as raising this daughter.

                She wants periods of intense attention, and then goes and plays on her own. I have a moment to read a few pages of my books. That endless reading that has characterized me since I was in the third grade is also an escape. Reality is too much. This love is too much. I would suffocate without this brisk mountain air.

                The basic family cell is a platform and interface for metaphysical creation. We internalize the structure of the family and unwittingly and endlessly make metaphors from it for all of life, for the life of the all. From knowing our family we know the world.

                I get thick into the family, I can barely do my work, let alone my passion. Just as Sherry’s womb is recently effete, I have had nothing to write, I can hardly think. It’s not Theron today, but Emilie, manic with energy. She’s been running in circles – 10:15 p.m. and wide awake! Even after she falls asleep – if ever she does – I have nothing to write, not a thought in my head. My soul’s run thin, my spirit brief. What can thicken my blood? What intoxicate my mind? I need some time in the sacred room, I need to charm the room, light the candle, perform Lapamalay (my cleaning ritual), write some emails.

                The thicker the day the thinner the night. And how much more necessary these dark creative hours! I come to write the Idius; the Idius is my sanity. Writing this keeps me keen and even. Lacking that I’d be bats. This new son, Theron Emerson, he is such a philosopher – serene, wise, peaceful. That is, when he’s sleeping. When he’s fussing I have no idea how to assuage him. How anxious to keep guessing what’s wrong. I had to learn how to overcome that mindframe – had to pause and reflect.

                Why anxiety? Why guilt? We blame ourselves for failing to do what we could never do no matter how hard we tried. Our stock of energy is limited, and the art of life is not in purging weakness, but so distributing and ornamenting it that it seems willed, musical, and charming. For instance, a man may forebear to perform some expected duty on conscientious grounds rather than on impotence – perhaps a pacifist rebuffs the draft, though he couldn’t much fight anyway; or a man thinks he foregoes his paternal duties for the sake of ambition, when in fact he lacked the stuff of fatherhood anyway.

                I recall my role as the philosopher of apotheosis. I’m never a consolation or comfort, but a provoker, antagonist, challenger. You are more than your performance. I hold on to this role, to my two hidden truths, and yet feel frozen up in my duties, overwhelmed by time. This daily demand is a trauma which congests expressions from flowing increase into anxious condensations. How to use time? A, B, Both, Neither: Work, Love, Passion, Rest. I need to rule the hours. I need to use the mirror to loosen these knots.

**

                The mind is the body, and what happens to the body happens to the mind; the afterlife requires a body of some sort, be it as subtle as a quark. Our body holds its emotions in its muscles; emotions seek motions, seek gestures and expressions; holding back an emotion creates a second emotion, a little frustration, rigidity, with enough strength to build some character.

                The family also is a body, an outer layer of each individual, a ring that expands into the neighborhood, the religion, the city, the state, the country, mankind, in a complicated gear-set of ever-turning circles. The house is the body of the family and the members are its spirit, its thoughts.

                To take in a new family member requires not just a physiological change in the house, a new room prepared for the infant, but physiological changes in each person, a new room made in each heart.

                Internalizing a new person creates their ghost, a model we can interact with in itself and also use to interact with the external person. This initially depresses the system as energy is used to create that ghost, that persona-of. A bit of intoxication must counterbalance this. The depressing effect is through the obsessive focus on one thing, one person.

                We don’t know a person till we’ve made– doubled her as a persona, an internal representation. We can love at first sight, but it takes years of marriage or intimate friendship to respect the beloved, to respect her for what she is and what she is becoming, and not as some phantom ideal we place over her. No longer a projection of principles, but a study of exceptions, we address her according to her myriads of contingencies. We discover what is universal, what is unique in her beauty. The great poet writes wonderful poems for each and any girlfriend, but to answer soul for soul is another matter.

                Pressed face to face in this narrow house, we need masks, formalities, rules, politeness. We need to avoid destroying each other. Sarcasm is a feminine poison. Suppressed sarcasm behind ingratiating sweetness is the trick of the poison. What is in will out, marriage gives birth not only to children, but our true selves. We dispel the sarcastic friend but address the troubling spouse. A family is stable because to it ourselves we unconditionally pledge.

                The family is a plane over chaos, a bridge to maturity. We balance a family against a career, combining the two impulses -- power and love -- into passion, the third, our religion or purpose. Any career or hobby or study or art or religious practice can serve as an interface – a mirror for objectification, for self-development, and ultimately for apotheosis. The family is a the ballast for that ascendant turn. We use these practices as a language to talk to the self, and thereby know ourselves; the family is also such an interface. Our brother, our sister, our mother, father, son and daughter through persistence become types by which we see the world. We build expectations for fresh acquaintances based on their stereotyped precedent.

                In this, people come through a fluid that pushes you the right chemicals for the reaction. A friend suddenly returns to your life. Why? What occult power draws or repels such engagements? The old friend knew the old self, and can’t quite appreciate the higher spiritual spheres our mind now traverses. Our language has evolved: the language of our being; theirs has evolved in a different direction. In our absence we’ve grown apart.

                We constantly grow, growing with our intimate and away from our priors. Our  mind and body ever turns and returns over our own bent and trajectory. The body is a knot of languages, constantly knitting together. We develop these languages, we cultivate and educate them. The body is a language, is many languages. All our thoughts have their counterpoint in our muscles and guts. Finding a speakable language by which to translate these body languages, doctors do this, but so do we all. We choose a religion or philosophy, some sacred inflection by which we will address spiritual objects. The ultimate ground of the supernatural is our body. Religion is a language. Sophia is Sacred language. God is a way of speaking, a rhetorical device. Language is the flow of intelligence, the threads of mind, the progress of our becoming. Maturity is in tone. Our body is our trophy.

                Psychoanalysis projects character development upon “the family romance,” a fictional scaffolding by which supposed insight into incestual angst exposes our real life angst. It is a game analogous to the religious game where a fictional relationship with god gives the interface of self-development. Both of them give us a language – the superficial language of psychoanalysis and theology -- which we foolishly think gives insight into friends and family; and they reveal a deeper language of real experienced meaning that though gained through the play language, in itself can be translated into any language. Even phrenology can give us insight, and what is psychosomatic psychoanalysis other than phrenology extended to the full body? And deep analysis, phrenology of memories.

                Psychoanalysis does not teach you to analyze your dream, it slowly teaches you to dream psychoanalytical dreams. The change in dreaming patterns is not “progress,” but infection – a gameboard for a new skill. We learn a language able to dissolve more reality.

                Each family is a language, the shared events, the joys and tragedies, the memories and the objectified memories of artifacts, pictures, the scars on the house, are physical memories holding us in the place of growth. We fall into constant tragedy with family, and we imagine even worse. Such is such and life is life. It is all for growth, evil is infant good, is the growing pains of Ama, the birth cramps of the universe. The joys and sorrows of life are the materials of our language. Family can’t avoid sufferings, but we share them in love.

                Ejected from that family platform, our trajectory takes surprising turns. After Ralph Waldo Emerson’s first wife died, an unspoken bargain with God was breached: the young wife didn’t survive, so Emerson left the clothe and ceased preaching. His pretext for leaving was disapproval of the Eucharist – he would not do anything in remembrance of his loss. For months thereafter he suffered psychosomatic diarrhea, as his guts prepared to create the new character of what he was becoming. He called it his “resurrection.” Only after Ellen died could Emerson accept the Gita, accept all world scriptures, open his mind, and then know God face to face rather than by second-hand testimony. Loss is gain.

                We have to be held down for a while to gain a thirst for freedom. The infant is an invader, imposing his needs not only when he cries, but when he potentially cries – every minute, day and night. How to be free? For an Allist, the daily is saturated with the divine, but how to normalize this chaotic baby who cries when or why I do not know? The babe epitomizes familial duty.

                The father worries if the quality of his work is suffering, if his boss notices, he suffers the guilt that he is failing his wife, not doing enough for his family. He loses a touch of that divine voice, though Ama is always in him and through him. That fourfold goddess is also Sovf, the Holy Spirit, langauge itself; Sovf is language and language is love. Sovf is the language of love. All his family interaction is also interaction with the divine. Transcendence is immersion.

                Fathers lack the motherly instinct; they have to build a corollary. They have to learn to be authorities over their children, learn how to limit and allow. Ten years to program your instincts, to program your gut – just as in any other art. The muscles of the abdomen must be knit according to the work you would do.

                We commit to this purpose, body and mind, and call this bond Mariwel. Mariwel is the binding oath of Sovf – he stands for cheerful commitment. One of my eight virtues is commitment, I am utterly committed to my family and utterly committed to allism. I study these children and remember the things I’ve forgotten. I live a second childhood through  my children. I recall in my childhood that I would borrow my parents’ college books for my shelves in hopes of reading them all. I fantasized pressing my head through the stack of books to gain all knowledge. From the third grade on I always carried a book with me. Books have always been my holiday, my safety valve against life’s overwhelm. I’ve always had one hand in another world. Who I am started way back then. Can I likewise guess the direction of these children? I take them as objects of study, I learn our language.

                My tongue is perched for singing, but the baby intrudes. The insatiable babe oppresses more than howling wind or hail. When my eighth day is under attack – my writing time at night – depression is my revenge. That cute chaos and his demands! Your scarecrow limbs and spilling head demand of me I know not what—certain frustration. You haven’t learned to smile;  you would unlearn me the same!

                I fall into a responsible sleeping schedule – almost. Brisk, then sitting, morning into noon. Children boast of ambitions, men of stations, the elderly of accomplishments. It is my time to enjoy this struggle—to live my station. Like a fresh corpse, a fresh pregnancy brings the dread of the inevitable. Once that tot is out – maternal relief! But only after the babe has grown does the father fall in love with his child. I learn to dismiss the advice of friends and approach the babe myself, to come to terms. The old advice “Make neither shoes nor arrows for friends” makes sense, we shouldn’t tell him how to walk their life, or they might heed you and hate it; nor tell them how to talk their arrows, and he might quote you to your shame. I remember my parents’ words but don’t seek fresh support. I learn to use the day as best I can, and heed the skull-faced sun. The day demands anew.

                Overwhelmed by the change, I sometimes cry sentimentally. When the body is ready to cry, the mind will find a pretext. I am part of the family functionary, I am a function of this family. The stress of it, and I do cry.

                I come to think of the great philosophers who had no children. Money and sex are the aversions of the ascetic, they define “the world” as power and love, but unable to do without such words, they talk of divine power and divine love – which amounts to the same thing looked upon with loftier eyes. Sex transfers anxiety, man to woman, woman to bliss. Would I be celibate? Would I with the Buddha abandon my family? I fold my hands like the night goddess in Van Gogh’s starry night, I bring myself to peace. Allism is all experience.

                I fall into a depression – maybe from lack of sleep. Such moods get shuffled in; my days are like cards, and every fourth day clubs me.

                I come to wonder over marriage. We wish our spouses were different, but even when we wish with fervor, it’s a pseudo-wish, the kind that if granted would only disappoint. We pretend to want them different according to the logic of idealism, for this creates a space for disappointment, creates moving space – freedom. Love is the opposite of freedom. Intimacy is meant for snapshots, it must be punctuated by politeness and formality. If you share a room, you must learn how to move your souls worlds apart. Solitude is divine. How to get back to the voice of the All when thick in this home of duty?

                Yet my wife and I are one heart – our private hearts feed into, fall into sync with our shared heart – the family is a layer of this heart.

                I comfort myself by holding Lissidy. Lissidy was a ghost who caught every word Dani said before he spoke it – her spirit was in his mouth and on his hands and all the meaning of it condensed in her heart till she lit up and from him in a lightening built and charged the sky, filtering the sun and stars. That is how I regard my blank book. I take note of everything.

                I try to regain my time. Like a tennis racket, each day has its sweet spot, when we can best attack the day. Emerson would wake up at 4 a.m. and write till noon. I don’t write nearly that much. My sweetspot is between 11 p.m. and 1 a.m. – I can usually get in an hour of perfect work each day. The rest of the writing is more formal and deliberate, practice but not perfection. That sweetspot where I’m in the zone, to use spatial metaphors for time, that is the polestar of my day – all the rest of the day is its anticipation and its preparation lacking which I feel desperate and deathly.

                Lissidy receives my dancing mind, that tongue of flame, full phallus of my ego.
I return to her throughout the day, for my time has become parceled into golden drops in a gridwork of interruptions.

                Throughout the day I need to blink – to see where I am in the logosphere. A blink reminds me of what I am thinking, what I am after. I stop and see how all experiences are flowing in confluence to one emerging idea.

**

                Love your friend and hate your enemy – but do so justly. That is the golden ethic. And sometimes friends grow apart, and would do best to part on good terms, but absolutely part: how difficult! Where respect is lacking, friendship must cease. These are eventualities impossible with family, for the son and daughter are never forsaken, the husband and wife ever held close.

                Our fights are remembered with a blush, and then forgotten. What madness! The question we were seeking to answer was how do we learn to deeply respect one another? Jars and jerks between the committed two are as wounding as knives. For those who feel that love is the light of the world, when love fades, earth dims. Persist for the sake of me as a lover, even more than for the sake of you as the beloved, for my beauty more than yours, that I will ever fight to keep us on even terms, to lift you up and move past our mutual injustices. This knit of identity, this dance of opposites, is possible because I have enjoined to it my potential. Fulfilling our foray, we come to know the edge of the other’s self. As the Norse taught, Love cries tears of gold. This suffering, this injustice -- I am allowed to blast off that limping friendship, but this family I must ever hold close. Wet heaven aches for relief as much as parched earth aches to receive: all my giving is for you, for you the immediate circle, and through you the farthest circle, for you are the second face of Ama to me, as I myself am the first.

                Friendship is identity, the friend is he with whom we can speak freely, the friend is a mirror, the sort of mirror that corrects our vision. Friendship binds the cosmos. I come to you friends – I am so hermetic in my way – for beauty is virtue visible, love is beauty known, and kindness intensifies: I need to love you.

                Confidence loves, autonomy befriends, weakness uses, cowardice parasites. You flattering ones I must keep far from my heart: your sweet words are mixed with poison. Negate your friend and she will seize up like a clam. Know how to gracefully depart.

                For we have in life the dispensable and the indispensible. Those indispensible things, those few songs, those few books, those few people, they utterly matter to us and we can not imagine our lives without them. Whitman’s poetry is the only poetry I find indispensible. A few songs are so – they have become the bricks of my home. The rest are nice, familiar, good, but dispensable. Two women have been indispensible to my adulthood, as have a few authors – Emerson, Nietzsche. Those few are vital – they mean everything; they are the lens on the divine.

                Exhaust and replenish your heart. Shuffle off old friendships, seek new; prefer the few indispensible friends and sacrifice all for them, and give your full heart to your family. Blunt the blade, soften the knot, cloud the sun – take off that unbearable edge of life, for though mammals are sentimental, nature is unsentimental. Never fuss, never panic, answer the Mother in her Terror with the shining mind of a spotless mirror. The shining mirror answers life brighter than it receives. I ever praise this world. Praise, after all, is only a matter of encouragement.

                A daughter’s praise melts the heart. And in my son I see that there is no brow more faultless than the babe’s. Lambs to the lion are these beauties too me: I must soften my power with the gentle of love. The edge of life is blunted for my love.

                And this marriage? Love seeks proof. To endure beyond proof is a testament to ones love – of himself as lover, his self-respect, to his trust in the universe as a whole. I fall into grace. I enjoined my way to ours.

                How serious, the new born child! How beaming the mother! Oh young mother, covered in love! Infant at your bosom, toddler in your lap!

                And yet I remember my need for divine solitude: to be alone is to be full in the presence of Ama. She praises me, she chides me, she snickers at the husband who calculates his chores to make them most visible, at the giver who happens to impart his gift before an audience. Who are you trying to impress, shrewd player? Who need you impress? Why seek secondary testimony? Believe your self-estimate. And never mind your familial guilt or annoyance. How human to endlessly complain about what you wouldn’t have any other way!

                I look upon these children and imagine them grown and leaving. How unbearably sad! Coldness, formality, composure -- masks for sadness. I stick to my books. We control uncontrollable emotions through accessible emotions: anger is easier to handle than sorrow. “Enjoy them while you can, they won’t be young forever,” yes, time is cruel. I spend the days with these darlings, and grumble about lost study time. How sad if I didn’t have them, if I weren’t immersed in this love! Why does the mind deceive itself? The psyche only undeceives itself slowly to avoid losing composure and being overwhelmed.

                We share sad moments. Families bring joy as well as sorrow. What do all the sad parts mean other than that I am groomed by Ama, made ever ready for greater things? Alone with the divine and she sends me back into the thick! How unbearably sad to ever be parted from this family – even for a day! My philosophy is water, it fits into every crevice of my day, and I must read to escape the smother. I both need it and need temporary escape. How is it the world is so nonchalant when I am intense and overwhelmed? Best, as always, to seek a little distance, a little reprieve, enlightenment’s perch, a time to be alone with my thoughts and deep in my studies. I feel I would die without it.

 

 

 

\~ @M@ ~/

perfectidius.com

 

Tuesday, November 13, 2012

Vision of the Afterlife

Vision of the Afterlife

 

                We have many “selves” or layers of consciousness – material self, social self, conscious self. These are the mind in its modes, but they don’t refer to the Self proper. The self is called Atman among Hindus, or Annatta (nothingness) among Buddhists. For the Hindu, the Atman is Brahman: self is all. Pragmatically, Atman equals Annatta; whether you think your self is absolute nothingness or absolute everything, the mystical results are the same.

                For the definition of definition that declares identity is a matter of “family resemblance” so that any member of a set has some but not all the properties typical of the set, this definition does not define itself: how could the definition of definition be formulated along these lines? Furthermore, family resemblance includes countless coincidental characteristics of members that look as if they could be a family member, but are not at all related. These ideas relate to the identity of the self, and whether there is an essence to it, a necessity. There is the creative necessity, a set of needs, and that is our self; there is the conscious mind, which chooses how to express those needs, and that’s our I; and then there’s the totality of all we are, our orgasm, and that’s our being and becoming.

                How to relate this transcendent mind to this organic body? For the mind is something in the atoms and cells of our brain and yet able to survive without them, in and above. Amidst unrecognized bodily sensations, an immense yet transcendent mind – the completely supernatural emerges.

                The talks of heaven and hell, which were invented in Persia by Zarathustra, speak of bodily rewards, social rewards, but never spiritual. Not even the latest manifestations, Christianity, Islam, Mormonism, get the most important meaning of a morally structured universe. Karma is in our veins. We create a new body according to what we have done.

                There are, after all, two ways a man can go. He can “die to be reborn” to God, “Lose himself so he may find himself,” “trust in God’ “Believe in God and believes things he said,” “submit to God” “Follow all the sacraments,” and this is to sell your soul to get into heaven. You will indeed die and be reborn, you will be reborn without your necessity, your needs, your innermost self. You will be an angel.

                For in the after life we become either angels or gods. Angels belong to whatever god they served, whether a good God or bad God. But to become a God yourself means reflecting with the All, with Mother All, back on your innermost, your plethorabyss, your aboriginal self, your Me Myself, that creative dynamo that feeds vitality to the conscious mind. Self-reliance and emanating your greater self are the necessities for apotheosis. You emanate a new skin, a skin of light.

                Whatever has once been part of the self forever will be, though its material instance be destroyed. The body gives the subtle resonance of its energy to all its own. That energy will flow out into all you create, and live forever, piggybacking on all that, so that your body scatters, but your mind coheres above it.

                The person is an energy (self) and a power (mind). Our energy cannot be created or reproduced by anything but itself. Truth is its Name.

                The self is not an object for worship. It gives us the necessity to worship other things, and only because it needs to, and this is why worship can be good. We worship the All, or some God her mask. That is, we respect. We do not obey.

                I ask for nothing. I give everything. Are you rich enough to receive my gift? I who see everything but the obvious, I who disdain closeness to the facts. I forget that even staying on the surface you can find the spot to reach to the deepest nerve of the darkest well of the bottomless heart – even the surface, the superficial, has those points. And when you’ve said the exactly needed word, the magic word, your friend may not react or know he has received it, but it will work into his system.

                Psychoanalysis taught that hidden, occult, arcane memories, twisted and distorted through a thousand inversions, were what alone could give us insight into our daily life. Person Centered therapy – psychotherapy of the United States – seeks only to affirm the patient to allow himself to say and mean the simple truths that will resolve his anxiety and empower him. “I deserve love” “I am angry at my mother,” “I am a good father.” Anybody can say such truths, but few can mean them. Being able to deeply mean them, to feel their meaning with the full viscera, is the object of self-knowledge, of mirror mediation, one of the angles of mirror meditation.

                Who is that Me Myself, that Aboriginal Self, that Plethorabyss? Who is that Man of Light in his Robe of Glory? What is that innermost sun, swallowed up in the mirror womb?

                My family and friends are flowers of wisdom. I the psychic god, butterfly afield, and I mingle and dance and take my heart’s nutrition from kind conversation with those I love. A few are also butterflies, able to migrate past the winters of life. I am ever in my nightly dances writing augers on the air, changing worlds with the electricity of my antennae. The seeds of light deep in this book, this Idius that gives the divine from Ama, her idea that when merged with yours becomes your apotheosis – you already know this. Your soul is already the emanated poem of your self knit carefully with the emanated poem of Mattria, the universal Mother. Her Divine aspect, Ama, gives you the kiss of innocence on your brow, in the form of some trauma or difficulty. The purpose derived from that is a devouring worm who either eats away your bad and merges with your good to give you psychic wings, or who eats your soul away, so that you give yourself up to some God or Goddess to survive. Life or death, the choice is yours, and you don’t choose it by thinking it, not consciously, you choose it by living it; you think through your life – days are thoughts, months and years thoughts.

                Our needs sum up in our necessity; our greatest need, once it can arise, is to choose our purpose, an expression of our necessity. From that we break our life into many different projects, and all our life is a series of projects to educate us, though we think they are random or unrelated. Amidst all those projects we develop our Method. Our method is the comprehending langauge that dissolves all its world into tools of use to achieve its purpose.

                Karma is in the blood; we become because we tried. Do the thing and you will have the power. And all the petty chores of this life are grand tests unknown to us now.

                “We have no guess of the value of what we say or do … tis all phantasm; and if we weave a yard of tape in all humility, and as well as we can, long hereafter we shall see it was no cotton tape at all, but some galaxy which we braided, and that the threads were time and nature,” so said Emerson. Thoreau teaches a similar lesson in his parable of the creation of the perfect walking stick, the man who finished the perfect implement after eons of creation: “When the finishing stroke was put to his work, it suddenly expanded before the eyes of the astonished artist, into the fairest of all creations of Brahma. He had made a new system in making a staff, a world with full and fair proportions; in which, though the old cities and dynasties had passed away, fairer and more glorious ones had taken their place. And now he saw by the heap of shavings still fresh at his feed that for him and his work, the former lapse of time had been an illusion, and that no more time had elapsed then is required for a single scintillion from the brain of Brahman to fall on and inflame the tinder of the mortal brain.”

                Every genuine creative act of our life, every form, transcends its object and becomes an idea in our heaven: our heaven is shaped like the things we created, the creative way we loved others, our words and deeds.

 

Laws for Creations

 

What do you suppose creation is?

What do you suppose will satisfy the soul, except to walk free and

own no superior?

What do you suppose I would intimate to you in a hundred ways, but

that man or woman is as good as God?

And that there is no God any more divine than Yourself?

And that that is what the oldest and newest myths finally mean?

And that you or any one must approach creations through such laws?

 

                Thus Whitman in the American Bible hints to us as to the shape and way of our creativity, its full purpose. Whom we love, we forever love, no effort is lost. What we do forever repeats itself, in endless permutations, inversions, and iterations, like a fractal glyph, like Bach’s music, like one of my Line Drawings.

                Angels or Gods, that’s our choice, the choice we make as an organism, a total choice. We can either submit, “making themselves loving, pure in heart, poor in spirit” to achieve union with the one, or we may insist on ourselves. We may “give yourself to him or you will not have a real self,” and thus lose our necessity, and be given some God’s purpose, or we may love our self and soul and submit to nothing external. Whether done through religious language or secular language, we all ultimately make this choice in life.

                When will you let my dovelike soul nestle and rest in the in of your bosom? Remember my name, the idea of me, and let those forget it who never heard it to begin with. To hear with understanding, one must already know the truth, having gained it through intuition. Neither love nor its lack can be hidden for long. We share a language. What have we truly loved? Not officially loved or piously loved or tried to love or wanted to love, but loved in the inner sanctity of our heart? Be yourself: express your necessity. You were born for this, and none other. Oh! youth of budding gifts, know the one who endows you with every gift: your gratitude is in perfecting them. Know the name of Love, whom we call Ama. That which you love, really love, no matter what it is, already this is Ama.

                We are each like Socrates, who was called by God “the wisest of men,” and unable to believe it, sought out every manner of wise man and teacher only to expose his folly, but finding at last the God spoke true. When Ama whispers the truth of our being into our ear, we can scarcely believe it.

                I scry with my glans the turn of your words, gold leafed soul; the sunset buries my desire in friendship. Oh boy of responding kisses! Oh girl of swooning limbs!

                When we share an eye, and touch tongue to tongue, langauge to language, I will have shown you the all. Repeat the truth and this motive and they will say you blaspheme or call you mad. Doubt of Ama is also Ama – nothing can cut you from this perfection, this fulfillment. It is done now because it is forever done.

 

 

 

\~ @M@ ~/

perfectidius.com

 

Thursday, November 8, 2012

Personal versus abstract love

Personal versus Abstract Love

 

                Writers like Ralph Waldo Emerson pick up the old notion that love is a ladder beginning with romance, climbing to marriage, than mutual correction, and ascending to universal love for all beauty. The philosopher makes the same progress, beginning his dance with Sophia through some particular philosopher he would disciple under, some one author who represents all wisdom. Later he comes to love a school of thought, and finally simply good arguments from all quarters.

                This triumph of principle over personality we should not so quickly gloat over. We should not sneer with T.S. Eliot that “Only those who have a personality would understand the desire to escape personality.” Yet this equation of the personal, ego, concrete, suffering, mortality against the impersonal, egoless, abstract, bliss is given the lie to every fresh romance, and literary romance, which is not simply the malady of youth and madman.

                The cultic personality of Jesus worship, in this regard, is a pole apart from the personality-dissolving Buddha who says to detach to all particulars and join into the Nirvana of nothingness. That most abstract of abstractions, nothingness, is the greatest bliss for Buddhists; and the faith is more mature than the Christian.

                Yet Emerson was on the right track when, in his essay on love, after describing the ladder of the personal to impersonal, nevertheless ends with a praise for marriage, in which each spouse stands for all of humanity to another. That is clue enough.

                What is loved is Ama, and Ama is one. Amidst her myriad manifestations, one beauty exists. We may unashamedly love Ama in all her aspects, in every direction – everywhere I look you are! – and yet love our spouse or favorite author with cultic devotion, being Allists, properly, who see the beauty in both the particular and the abstract, both personality and principle. Having dove into that unique personal space, the plethorabyss of our own soul, we gain a new abstract power, an idea; but we bring it back into the personal, we make it to be a layer of our character. The dance between opposites, a give and take and mutual impregnation, characterizes allism, not this one over the other forever, heaven over hell forever, principle over character forever. All is flux. And chaos is mere ornamentation to the subtler beauty that permeates all existence.

                Ama knit her emanates poem with our emanated poem and that is our soul: it is amphibious, it shares both natures. The self beneath our soul, and the self beneath hers, the selves of all, are gestalts, the stand for wholes. This answers the question: what do I love in myself. What do I love in my lover? No list of adjectives suffices. It is not in any one thing. Those great virtues we praise in our lover are beautiful, but they are metonymical, they stand for the whole, and can never be substituted for it. The all is cosmos, beauty; al evil and suffering is the transiency of growth, evil is infant good. When we can see Ama behind all particulars, and love both the particular and Ama, then we are Allists.

 

 

 

\~ @M@ ~/

perfectidius.com

 

Saturday, November 3, 2012

"Rake's Complaint" a poem

Rake’s Complaint

 

You go covered in summer

Naked in winter

In Autumn you ladies

Make confetti of your dresses!

 

 

\~ @M@ ~/

perfectidius.com